From its founding in 1954 as a maker of widescreen CinemaScope lenses, through today’s stunning large-format imagery, Panavision has been designing and building lenses that deliver breathtaking moving pictures.
Don Burgess, ASC trusts Light Iron. His last seven films can attest, so Burgess chose Light Iron to support him again with digital dailies and post finishing services on Allied.
Ben Davis, BSC has become an old hand in the Marvel universe. Doctor Strange marks his third Marvel film as director of photography, preceded by the global hits Avengers: Age of Ultron and Guardians of the Galaxy.
The Magnificent Seven is a classic of American cinema. John Sturges’ 1960 Western, itself a reimagining of Akira Kurosawa’s 1954 film Seven Samurai, was photographed by Charles B. Lang, Jr., ASC in the 35mm anamorphic format using Panavision lenses.
Based on a true story, Free State of Jones depicts the Civil War-era struggle of farmer-turned-Confederate deserter Newton Knight leading an armed rebellion of local farmers and freed slaves to secede Jones County, Mississippi, from the Confederacy.
Jodie Foster directs George Clooney and Julia Roberts in Money Monster, in which a glib TV financial advisor is taken hostage on the air by an irate investor. Foster tapped Matthew Libatique, ASC to bring her vision to the screen.
In Fear the Walking Dead, AMC’s spinoff to the hit series The Walking Dead, the zombie apocalypse has just begun to affect Los Angeles. In the six-episode first season, L.A. residents try to survive as the military loses containment and the power grid goes down. Leading up to the pilot, cinematographer Michael McDonough, ASC, BSC saw an opportunity to employ the anamorphic format for a series.
